Press material on the AWG, Crawford Lake, as well as the collaboration between the AWG, HKW and MPIWG.

A research project run by the KTH Division of History of Science, Technology and Environment from 2021-2025 exploring the global environment as emerging through environmental data.

Understanding the changing human-Earth relation of the Anthropocene by combining research on technology, media, and political ecology with activism and front-line environmentalism.

In the fall of 2021, Science Gallery Bengaluru invited young adults to respond to prompts on the theme of climate change with creative responses.

Since 2019, Science Gallery Bengaluru (SGB) has conducted multiple public engagement programmes around the Anthropocene.

A project by artists Giulia Bruno and Armin Linke explores the scientific and social conditions producing the new geological epoch, the Anthropocene.

Artist Felipe Castelblanco and researcher Nishant Shah propose that communication must be freed from its desire for intelligibility and claims to knowledge.

A contribution collaboratively authored by members of the Anthropocene Curriculum team, that attempts to think dialogically “on curricula.”

On the privilege of the storyteller and making visible the various contradictions inherent within efforts to bridge gaps and communicate “what happened” during the Anthropocene River Journey.

Through a series of conversations Temporary continent. track the different guises the Mississippi has taken, interviewing those who live and work with the river.

The Mississippi’s touristically designated “source” remains a fixture on maps of North American territory and collective cultural consciousness, as this text, video, and audio post explores.

In the context of the seminar “Anthropocene and the Media,” students of new media theorist John Kim have developed diverse approaches and perspectives of examining the Mississippi River in relation to the Anthropocene.

Temporary continent. maps the unstable tributaries of contributions and reflections arising from the research procession down the river.

Media scholar Lisa Parks describes her phenomenological method of understanding what is at stake when we speak about and imagine media infrastructures.

Grasping the Anthropocene demands a sense of deceleration—we need “slow media” that by analogy with the slow food movement, engages with the complexities of a rapidly changing world by slowing down to the pace of a museum visit or engaging with physical or visual objects. 

A diary as an example of how to work with slow media

Report on the activities and contributions of the seminar on Slow Media. 

A reflection on the Anthropocene thesis as a concept for curatorial ways to address nature–culture relations.

How to exhibit the Anthropocene? The Deutsches Museum Munich takes part in the global debate on this issue with a show presented here by the curator.

Reflections on using establishing an Anthropocene library using slow media